A Married Woman 1964
A superifical woman finds conflict choosing between her abusive husband and her vain lover
Contempt (1963)
Screenwriter Paul Javals marriage to his wife Camille disintegrates during movie production as she spends time with the producer Layered conflicts between art and business ensue
Breathless (1960)
A small time thief steals a car and impulsively murders a motorcycle policeman Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy
First Name: Carmen (1983)
A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob
Alphaville (1965)
A U S secret agent is sent to the distant space city of Alphaville where he must find a missing person and free the city from its tyrannical ruler
2 or 3 Things I Know About Her (1967)
A day in the life of a Parisian housewifeprostitute, interspersed with musings on the Vietnam War and other contemporary issues
Numéro deux (1975)
An analysis of the power relations in an ordinary family
Passion (1982)
A film director has an inspirational crisis while working on the production, Passion, and struggles with the nature of work and art
Masculin Féminin (1966)
A romance between young Parisians, shown through a series of vignettes
Weekend (1967)
A surreal tale of a married couple going on a road trip to visit the wifes parents with the intention of killing them for the inheritance
See You at Mao (1970)
An examination of the daily routine at a British auto factory assembly line, set against class conflict and The Communist Manifesto
Pierrot le Fou (1965)
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit men from Algeria They lead an unorthodox life, always on the run
Wind from the East (1970)
A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary
Histoires du cinema (1989-1999)
An 8 part documentary chronicling the history of cinema, examining the history of the concept of cinema and how both relates to the 20th century
Love and Anger (1969)
Five short stories with contemporary settings In New York, people are indifferent to derelicts sleeping on sidewalks, to a womans assault in front of an apartment building, and to a couple injured in a car crash A man, stripped of
Vivre Sa Vie (1962)
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution
The Worlds Most Beautiful Swindlers (1964)
Four swindle stories, taking place successively in Tokyo Japan Les cinq bienfaiteurs de Fumiko, Amsterdam The Netherlands La riviere de diamants, Italie La feuille de route, and Paris France Lhomme qui vendit la tour Ei
Every Man for Himself (1980)
An examination of sexual relationships, in which three protagonists interact in different combinations
Struggle in Italy (1971)
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology
La chinoise (1967)
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism
Le Petit Soldat (1963)
During the Algerian War, a man and woman from opposing sides fall in love with one another
Band of Outsiders (1964)
Two crooks with a fondness for old Hollywood B movies convince a languages student to help them commit a robbery
Tout Va Bien (1972)
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris
Detective (1985)
At a Paris hotel, a hotel detective fired after a murder there, is still investigating helped by his inspector nephew and girlfriend A boxing manager, owing money to a couple and the mafia, rides on a match next day
Sympathy for the Devil (1968)
While The Rolling Stones rehearse Sympathy for the Devil in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes
Le Gai Savoir (1969)
How do we learn What do we know Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution Scenes of Pariss student revolt, the
Keep Your Right Up (1987)
A film with idiotic prince and Rita Mitsouko who records a new album
Ro.Go.Pa.G. (1963)
Four short films by four different directors dealing with the principles of modern life
The Image Book (2018)
Nothing but silence Nothing but a revolutionary song A story in five chapters like the five fingers of a hand
Made in U.S.A (1966)
In the near future, leftist writer Paula goes from Paris to the French town of Atlantic Cite when she learns of the death of a former colleague and lover, Richard P Is she there to investigate On the surface, faces are beautiful, c
Soft and Hard (1985)
Jean Luc Godard and Anne Marie Mieville talk about their films, while doing everyday tasks around their house
Here and Elsewhere (1976)
Godard, Mieville and Gorin aka the Dziga Vertov Group examine the parallel lives of two families one French, one Palestinian using an exploratory combination of film and video
Six in Paris (1965)
Six vignettes set in different sections of Paris, by six directors St Germain des Pres Douchet, Gare du Nord Rouch, Rue St Denis Pollet, and Montparnasse et Levallois Godard are stories of love, flirtation and prostitution
Goodbye to Language (2014)
A silent, surreal parallel between a couple and a dog
How Is It Going? (1976)
A film about politics and the media, in which two workers in a newspaper plant attempt to make a film
New Wave (1990)
Composed entirely by literary quotations from many different sources and from several historical periods, Godards film works as an allegory on film The loose narrative tells about a drifter found by a rich woman who soon falls i